Dogwood was a gift from the sculpture studio owner on the artist’s very first night of sculpture class. The owner had a tree taken out and saved the wood but had too much for his own purposes. When he learned the artist was a woodworker, he offered some. Three chunks were taken. The rot in the middle of this piece made it difficult to work with — and that rot became the void.
Material Source
Gifted by sculpture studio owner, first night of class. Salvaged dogwood from a tree removed from the studio owner’s property.
Story
I tried to make the wood into a hard geometric shape. We experience wood in straight lines and hard shapes—tables and chairs. So it almost seemed like a return to the log to make a sphere from it. The natural void breaches the geometry, refusing total control.
Dimensions
~4 inches round
Status
Complete. Still in artist’s possession.
Materials
dogwood woodsalvaged
Techniques
Lathe turning
Cup Chucks
Bowl Gouge
Formal Elements
voidHollow interior space, opening into the formwhat opens when you stop filling yourself, revelation, emergence
closed formSelf-contained form that doesn't need anything externalself-sufficiency, autonomy, completeness
Embodies
damage-as-material 2026-03-10T16:56:05.979ZThe damage was the material all along. Not damage overcome, not damage redeemed, not beautiful-despite-broken. The rot is the color. The void is the form. The chainsaw scar is the first mark in a collaboration the chainsaw did not know it was starting. Damage is not precondition; damage is content.
becomingness The quality of being in passage between states. Not before, not after—during.
reclamation The quality of returning to yourself after being lost or taken.
Enacts
material-against-expectation Working opposite to what the material wants. Wood becomes spherical, stone becomes soft, HydroCal becomes organic, clay gets carved like stone.
Sits On
CometbaseOrder Only Invites Refusalstone basefc__14.jpegorder